tmpz002 of temporize records is an ep from glasgow affiliate dam-ru, drawing on themes of gnosticism, occultism, cosmology and automatism, dam-ru displays his attempts at transcendence through sound, and delves deep into the subconscious, to a world within worlds.
he crafts complex yet warm, organic electronic music that flirts with ambient, dub and experimental sounds. with “too many voices”, his debut ep, he explores a far eastern, mystical theme in producing 4 tracks that wouldn’t feel out of place in an epic film score.

repress! the impression one gets of django django is of a band laying down the first, meticulously measured borders on some vast map of a world that only they are privy to. correspondent to that, each track is like its own nation of harmonies, rhythms and textures. >we didnt put much conscious thought into making it sound like an album - we thought wed let any similarities between the songs come out by themselves,< explains tommy.

ali renaults cestrian alias is responsible for some proper gutter-dwelling electro business that has come to light on bunker records, mnx recordings and more besides. theres no let up with this new slab, presented to the underworld by vivod and unknown to the unknown as a joint release. napoli keeps the pressure wound up to a breakneck pace while -secret language places the emphasis on devilish synth tones. purge attempts something akin to a more melodic, mellow mood splattered with acidic bleeps, and then krapton fictor whips out some truly crafty android boogie loaded with short circuits aplenty. umberto swoops in at the last minute to remix napoli into a relentless, storming techno brute with brains to match the brawn.

blind jack embarks on another journey around secret cities, this time we drop into wuppertal, capital of bergisches land in germany. famous for the space-age schwebebahn and the lego brücke. we invite mr. mauke colkin to the team and he dishes out some seriously deep dreaminess that would happily get you around the schwebebahn in a day-dreaming trance. also featuring the divine vocals of fellow wuppertal resident maria basel.

hvl has landed on many different labels in recent years, but rough house rosie will always be something of a spiritual home for the adventurous deep electro and techno craftsman. across the hidden valley ep he displays a fluid, instinctive approach to composition enslaver rolls out like a live jam but the detail and control embedded in the track is astounding. distom spook is charged with nervous acidic energy, while lemon stealer takes things in a more experimental direction with all manner of snaking synth voices wriggling around a crisp electro beat. crow hill finishes the ep off with a slow, rolling breakbeat groove and hazy pads for a quintessential b2 wind-down session.

row goes back to a collecting of field recordings that hirsch took for oerol, an annual theatre festival taking place on the west frisian island of terschelling / nl. the recording was taken aboard the arad, a lifeboat of the dutch rowing team roeiteam ter- schelling recreatie during a training exercise on 25 april 2011. the course stretched from the harbour of west-terschelling out into the wadden sea and back again. the focus is on the coxswain’s commands which resemble a funk singer’s ones and which make the team become one body working their way through the waters.

swedish producer varg has cooked up four tracks using elektron gear. the first track is a probing, ambient and serendipitous take on soundscaping. the second is a hard-kicking, massive and gently authoritative dance beat. third, you have something out of a spacious mechanical workshop. the final track is an exquisitely mystical, moody, twin peaksy closure.

part four in alden tyrell s latest project: vorm variaties , a 5 release series consisting of tracks recorded in the last 2 years. the vorm variaties tracks were a style excercise for tyrell, flexing his producermuscle while health issues forced him to stop touring. initially he had no intention to release these tracks but we consider them to good not to put out, infact we were almost forced to start these series because of them! all tracks selected are variations on classic techno forms, using classic style ingredients and the 909. all 5 variaties are different in style, yet all homogenous, all with alden tyrell s sound signature... on point production skills and stripped down arrangements.

for almost a decade, spains ramiro lopez has established himself as one his countrys leading proponents of techno, with strong releases across labels that include suara, intec, octopus recordings and bedrock. he first debuted on drumcode in 2015 with the rousing collaborative track clap your hands that ranked among one of the labels standout tracks for the year. with one drumcode release already under his belt in 2017 and a new label project odd recordings with fellow dc cohort arjun vagale recently launched, hes enjoying another strong year. his return to the label comes in the form of being alone , a powerful trio of cuts, all of which featured in adam beyers awakenings festival day 1 performance. the title track is a multi-layered weapon, propelled by a dizzying vocal, swirling synth effects and pin-sharp percussion that build toward a smooth classy finish. dark science is an effective stomper brought to life by a bell chime hookline and undulating synth melody ensuring its peak-time prowess. der raum rounds out the ep, highlighted by lopez s deft drum work, proceeded by a driving, euphoric climax.

during the mid-nineties, david kempston secured himself a considerable following while recording releases for the seminal uk labels clear and evolution/universal language. he went on to produce music under various guises including the solid house sounds of cartel productions and his darker electro alias clatterbox. now its 2011 and time seems right to put out a collection of tracks that we have been sitting on for quite a while. 2 very strong and razor sharp electro tracks of the highest order + the main track desolate void, an experimental drone that comes in various different takes through out the ep for a healthy dose of unpleasant frustrated funk atmosphere. this is the first ff release in a new quality series of limited hand numbered and hand stamped colored vinyl 12 inches. highly limited, so act quick!

soul jazz records’ are releasing their long-out-of-print album ‘hustle! reggae disco’ in a new expanded 2017 edition which now features five extra tracks.

norken aka metamatic releases his first ep on neo ouija. four highly sought after cuts that symbolise the norken sound at the time: deep house with the sleekness and machine melancholy of british chill-out and idm that s complimented with crisp drums which give a nod to early detroit techno. norken is best known or his releases on delsin, hydrogen dukebox and assemble music among others and there are also some upcoming eps on third ear recordings and delsin to look forward to.

master of minimal wave sonics alessandro parisi has spread his full-bodied synth wares around such esteemed labels as slow motion, charlois, giallo disco, lux rec and more besides, and now he slides up to vivod with an ep of noirish fantasies you ll be hard pushed to resist. -crossfire- is the more uptempo cut, but -ravens- paints a more vivid picture of retro-fetishistic club music in dangerous places. -praying sages- goes all out on the soundtrack vibe, but not before it s been remixed by mick wills, who casually threads a driving techno undercarriage into the track to create a strangely transcendental slab of cathedral-ready body music.

repress - keeping up the urgent pace set by the strength in numbers collection, thema now turns to a modern master of the jakbeat, d’marc cantu. hailing from ann arbor on the fringes of detroit, cantu has worked for more than a decade developing a sound that carries the torch from the box jam originators of techno and house music. his first appearances were alongside the mighty tadd mullinix (better known as james t. cotton) with their 2 am/fm project, before bringing traxx into the fold for the x2 venture. as a solo artist cantu has shored up on labels as highly regarded as crème organization, m>o>s, nation and desire, bringing a rich, full-bodied sound laden with powerful synth hooks, crafty drum programming and a live, jammed-out delivery that overflows with imagination. given his adventurous tendencies and punchy midwestern finish, cantu is a perfect fit on thema and the six tracks that make up this record show a great deal of the diversity the man is capable of, from dancefloor burners to atmospheric introspections

version galore is a newly found label, deeply rooted in the music culture. we bring you the selected reworks / versions from the top producers in the game, showing lots of respect and care for the original, but elevating it s spirit and taking it somewhere else. it s all about the dialogue of cultures and the idealistic desire to pass the music legacy on! no half-measures, played-out tunes, lazy cuts, or boring 808-kick boosting biz! k2 is an alias of someone who you should be very familiar with by now, especially if interested in quality house music. no clues? he the music legend from baltimore, one of the most versatile and technically-gifted djs on the scene, a master of cdjs, who singlehandedly restored public s interest in gospel music with his ultimate dance bomb work it out. still hesitant? ok we ll help you its the one and only karizma!

as ever, the next project on opilec music is one with a rich back story this time paying homage to a very specific disco scene of the early 80s: it finds label boss i-robots turning out one of his brilliant reconstructions, namely of a classic and cult track by one hit wonders ahzz. this track was first released on land of hits, a label run by peter brown (who also wrote -material girl- for madonna) and michael campbell and has now been officially licensed for this reissue by opilec music. the track, new york s movin was huge on the new york disco scene and was played by the likes of david mancuso at the loft, larry levan at the paradise garage and by nicky siano at studio 54, but continued to be a big hit with modern new york tastemakers kenny dope, dj spinna, danny krivit and his body & soul party crew well into the 90s, as well as with stars like motor city drum ensemble and bulljun. i-robots is a notorious producer and record collector with a vast understanding of the history of house and disco and his version combines an original vocal and instrumental version into something really magical. new york s movin (i-robots reconstruction take i) is a jangling, organic and lose limbed disco number with a funky drum line, soul in its bones and plenty of lovably rough percussion, clicks and drums. a retro and impassioned vocal line adds flair to the track at the midpoint just before that groove kicks once more. this version is featured on the new i-robots - reconstructions 2007-2017 10th year anniversary release. new york s movin (i-robots reconstruction take ii) is then just as emotive and outgoing but after the break has more of a focus on funk. this is a huge party starting track filled with feel good vibes and once again proves opilec music work on only the most special projects.

the original, the inspirational, the bombastic, the never bettered, the one. don t make me wait is all of the above and so much more. classic to the core. huge earth shattering record right here. ok, so the scoop, for the uninitiated is this - the peech boys were larry levan s group, we re talking early 80 s nyc here, 1982 to be precise, around the height of the paradise garage as larry was making the transition from superstar dj to producer. he brought a sparse, dubbed out, narcotic late night feel to the overall sound of this record. this was a short-lived project, but the influence is still felt today, the peech boys dna is inside the veins of modern dance music, as is larry s. there is no underestimating what an impact this record had. 7+ minutes of electronic bliss, trailblazing stuff, and don t get us started on the dub. do yourself a favour, buy this classic if you don t own it already, you ll keep coming back to it time and time again. guaranteed. this essential 12inch is repressed here in it s original 1979 glory, an essential classic that has stood the test of time for the last 30+ years & is now available again, remastered & repressed for 2017 in conjunction with west end records, nyc.

brand new edition of soul jazz records’ brasil album recorded in rio de janeiro in 1994 with a host of legendary brazilian musicians including sivuca, raul de souza and singer joyce moreno – which has remained one of the key defining early releases from the record label. out-of-print for over 20 years (!!!) the album has now been fully digitally re-mastered for this new 2018 edition. includes down
the album was recorded at the height of the first wave of interest in brazilian music in london in the 1990s. joyce and a group led by husband drummer tutty moreno had just been brought to the uk for the first time ever by gilles peterson and brazilian music obsessive joe davis (and future head of far out records) and performing to over 2.000 new young fans.

limited to 500 copies. this age of love 10x12 vinyl box set features some of the best tracks of the nineties and is a tribute to the famous belgian clubscene, djs and artists, the cornerstones of this unforgettable era. reviving the atmosphere of those magical times when we all partied for days on end, we bring back the early days of love and late night dancing with the best classics around. respect the old school.

early 80s. christiane f and tron meet over a brutalist landscape. clock is ticking. electronic pioneers bang up post punks. dirty hits. take more. time is running out. northern european sub-cultural appropriation to destroy the dance. still, it sounds good. and it looks nice. nice sleeve art. move along. move along.

eitan reiter is proud to announce the release of his latest album, give it life, on guy js armadillo records. this is another essential album from a talented artist who has many different musical tricks up his sleeve and more than enough skills to carry them off. it is artistic, original and thoroughly absorbing from start to finish.

swiss producer honorée returns to rekids with maree haute ep this january, featuring two intelligently produced deep cuts with a remix from perlon’s margaret dygas. basel-based artist honorées inaugural release marée basse ep appeared on rekids earlier this year and demonstrated a musical understanding acquired from extensive dj experience within switzerland’s club scene. marée haute ep is honorée’s second outing on rekids and includes a remix from renowned minimal dj/producer and panorama bar regular margaret dygas. dorian delivers crisp drum grooves which underpin mesmerising chord progressions, haunting synthesizer motifs and spacey vocals before 208 provides infectious drum rhythms, glitched vocal cuts and hypnotic melodies which sit on top of a rumbling low-end. margaret dygas take on dorian offers a pulsating bass hook and sharp percussion which lays the foundation for dubbed-out synths and ethereal atmospheres to close the release.

limited 100 vinyl pressure on this one from an undisclosed european producer who has been responsible for more than a few choice cuts over his 25 years of releasing records. burning up lights the dance floor by squeezing every last drop of energy out of just a few key elements, a modulating pulsing cross-rhythm bass snakes around driving disco beats with choice vocal samples adding the final bit of ear candy. minimal, a bit twisted, but hooky as hell. on the flip we have becoming cyclonic, a far deeper excursion where 808 toms dance around a repeating fretless bass melody. an immersive and euphoric melding of drum machines, synths and 12bit jazz-fusion samples, all being put through the sonic mincer and coming out like the proverbial gourmet sausage. yum!

the “natty dread a weh she want” set brings together two legends of reggae music. the stylish and unmistakable falsetto voice of singer horace andy and the production/dj singing skills of tapper zukie. both artists catalogues of music stand up strong but this, originally released 1979 set of songs seems to have brought something special out of both of them when producing/writing and arranging this set of tunes. “natty dread a weh she want” was a massive hit when it was released by tapper zukie and horace andy but this timeless track still sounds as fresh today as the day it was released in 1979, as do the other tracks on this fine album.

oh so you thought that was it with relo1? -funny idea but we wont ever hear from those goofy guys again.- you were so wrong. we spent 7 months in the studio and pulled another 3 pointer out of the hat with a bat. relo2 is here from the rebound lounge label and production project brought to you by dj dog(aka dj fett burger) & double dancer.

eddie cs red motorbike rides again. space glide chops unheard wrong-tempo cosmic funk into a 4 minute mouthful of slippery dubwise underwater dancing while werewolf invasion takes us to an out-of-the-way leather disco in eastern europe by motorbike, only to find the club rammed with thirsty man-beasts half cosmonaut half wolf. another keeper. hand-stamped, 7inch vinyl only business

limited edition 12- containing four selected songs of 1983 from the disco group led by geoff bastow (from giorgio moroder s team). these unreleased extended disco cuts give big value to this work

siegmar fricke describes his music as -dynamic dancable collage-pop with a 90s technoid tendency-. the music on this release is made by yamaha sampling- keyboards, yamaha multieffects, synthesizers and 60s magnetic tape recorder, recorded on a four-track tascam tape-machine. from 1987 – 1993 he produced twenty four cassette releases, some on his former label bestattungsinstitut and some on other tape-labels all around the globe. this vinyl is a fine selection of various tapes from 1988 – 1993 slightly edited for club use and remastered by berlin s masterchef kitaro from schnittstelle. heavy underground dancematerial for the first time on vinyl!!! comes with a strong extended dancefloor remix by manfredas.

carl gari is a group of three from munich: jonas yamer, till funke and jonas friedlich. they released their well received and idiosyncratic debut (npr mentioned it as one of the 50 best albums in 2016) on the trilogy tapes, for which they collaborated with egyptian singer and spoken word artist abdullah miniawy. for the second release on permanent vacation they perfected their unique blend of psychedelic ingredients, dubbed out drums, drony sounds and a general hazyness. the mystic chants of abdullah, who is also featured on two tracks, weave themselves into the bands lively sound texture. apart from that carl gari showcase the diversity of their analogue driven and melodic approach to electronic music through four beautifully detailed tracks.

the night is what makes a big city come to life. right after sundown, the hectic buzzing of downtown makes way for adventure playgrounds, bathed in neon light, revealing their countless chances and opportunities. its when youll find the subway spitting out its purpose seeking passengers by the minute. a coming and going of restless people passing through. all it takes is a few hours, before the sunrise makes it all disappear. mental bend captures the magic of that very moment in their dreamy soundtracks. if you close your eyes, you can see blurry pictures passing in slow motion, accompanied by their atmospheric songs. grainy black and white snapshots, fragments of memories lighting up somewhere in the farthest corner of the cortex. one step is the berlin-based indietronica duos visually vivid debut album, released on enfant fenou. mental bend are all about letting go. sissip (voc/synth/bass) and hendrik havekost (beats/production) know how to trust their instincts, crafting their hypnotic signature sound, somewhere in between electronica, ambient and dream pop. before founding the band in 2013, the two were already shaping their skills in all kinds of different formations and styles of music. as soon as they got together, they had a viral mini hit with their song take my hand, praised on various tastemaker blogs and generating over 100.000 likes on soundcloud in no time. the bands first long play record one step is all about important experiences and decisions, small as well as big steps, all a part of making progress, which in the end can even be life changing. it was a step, that recently got mental bend their record deal on mos ferrys sub label enfant fenou.

a collection of crossover artists that really stand out for us with tunes that do so much more than just be hot. demuir, the organ grinder, snazzy trax & melodymann, they all bring their edge to this sick ep for melodymathics. we hope you like this record as much as we do!

blurt are perhaps the act who have played live at optimo more than any other. active for close to 40 years they are one of the uk’s all time great acts, phenomenal live and on record and supremely underrated. blurt mainman ted milton is a living legend. now in his 70s but more vibrant on stage than most artists 50 years his junior, he is a man of many talents, artist, poet, musician, performer…. in 1984 he released a solo 12”, “love is like a viol&#275,nce”, a no doubt accidental dancefloor gem completely out of kilter with any other music of the era that now makes total sense in 2017. dubbed-out stabs, programmed rhythm, trademark sax squeals and a more subdued than normal vocal that is strangely reminiscent of vincent price. thee definition of a cult classic and much in demand, side a of this 12” presents the a and b side (the equally outre “it’s only recently that stalins have begun to roost”) of this mighty 12” on one side of vinyl.

cervo is no stranger to producing high quality dancefloor ready house cuts. released on 13th october, ‘deyo / kasoa’ is no exception to this rule. after a tough period mentally and a formative trip to ghana, cervo combines his love for field recordings with his well known take on the classic house structure. the end result is slighter harder than his previous work but signifies his growth and development as an artist. the lead track, ‘deyo’, starts as it means to go on. straight away the punchy and energetic percussions draws you in and remains captivating for the entire track but it’s the melody that stands out. the sense of urgency is soothed by looping bass and piano riffs, complimenting each other perfectly throughout. ‘kasoa’ is approached differently than the flip ‘deyo’, more care and consideration is taken. it slowly builds up with field recordings as the backdrop providing context before allowing a clear and definitive vibe to be established.

marcel vogels intimate friends label welcomes a newcomer to the fold, with hypoleon displaying a warm and inviting take on outboard, leftfield, electronic soul with a wavey edge to it. the vocals on the original tracks have a haunting edge to them thanks to some hefty processing, but the power in the delivery is undeniable. the tracks meanwhile channel acid, electro and minimal wave in understated ways, played out with a live band dynamic that hooks you in from the start. jon mcmillions remix of tresberry turns the track into a simmering 4/4 jam for the warm up heads to get loose to, while tevo howard brings some of his signature boxy acid to bear down on the track.

the fifth entry in the chronicles of slyngshot s yappin label is a four track ep, projecting his trademark hybrid style, popping on a low-bit train ride somewhere between the bronx and detroit. new era: slyng s in-house style, dirty percussion, with ailing watery rhodes. of xtc (action mix): a swift take-off, with fazed out keys over a romping kick, swashbuckling high-hat, and an insistent synth bass playing hide and seek, building the tension. of xtc (understatement mix): low end synth lines bop between singing drums, tribal chant and ethereal piano loop. stop playin part i: b-boy vocal sample with pitched up / back down again beats lending the tune a subtle drum and bass feel.

hana’s first and self-titled lp was recorded in autumn 2010 at facta non verba and consists out of 5 tracks which are techno oriented with disposal of experimental and abstract elements.
mastered and cut by rashad becker at dubplates & mastering in berlin.

classic disco edits

the third outing for modern manners emerges on the back of two very strong 12inches that introduced this anonymous outfit to the world. timeless vibe continues where the last release left off, building up a wonderfully cosmic bed of processed melody under which casual hand played percussion and warm bass notes can linger. azzahar too keeps things pleasantly soporific with its gentle pace and lilting guitar refrains, and then middle east manners rounds this excellent trio of eps out with a beautifully realised swirl of sounds that find focus once a kick drum starts pulsing and the percussion starts building. quite who modern manners are is a mystery at this stage, but across these three 12inches they ve certainly made their presence felt in the softest, most laid back of ways.

experienced dutch producer tom ruijg rightly won praise for his first 12inch as tracey, skyfall, which surfaced on voyage direct in early 2017. combining elements seemingly inspired by vintage detroit futurism, ‘90s ambient techno and his own love of colourful synthesizer melodies, the ep saw tracey set out his stall in impressive fashion.

very limited repress. you re forgiven if you ve never heard of discret popescu, neither did we, until we started digging a bit deeper. mr. popescu comes from palinka-land, a quiet place where nothing out of the ordinary happens very often. perhaps that s why he s developed such an interesting and groovy approach to his music. digging a bit deeper into his background, it came as no surprise that discret popescu is in fact, the ying to alin crihans yang, the lighter more playful side of his sonic universe.

rat life records presents serial error a project by credit 00, jacob korn & sneaker. this outfit was brought to life in 2013 when red d called for some new beat style tracks for his -our beat is still new- compilation. flying a bit too low under the radar ever since rat life decided to reissue drum abuse on a super sound maxi single. the track was made in jacob korn s headquarter studio / synthesizer museum. the task distribution was hit quickly: jacob squeezing the acid out of his huge formant modular system, credit 00 beating the drums on the boss dr 660 and sneaker throwing his unique vocals on top!

this lp + bonus cd features the entire track listing, plus 5 bonus tracks from the italia new wave lp. this album represents the musical mutation that occurred after the post-punk hangover gave way to more frigid emotional shores, in-line with the synth-wave moment that was sweeping europe and the white cliffs of albion. this scene flourished in italy between 1981-1985, and the musicians that came out of it are still revered today (particularly in the us). robotic rhythms and intuitions that, besides sharing common ground with the electronic movements that had come before, also knew how to fill up the dancefloor! featuring four previously unreleased tracks by der blaue reiter, along with tracks by modo, actor s studio and la maison, as well as the still fresh sounding contributions by true pioneers of the genre neon and naif orchestra.

frankyeffe s riot recordings returns on wax with four techno weapons. on the a side hidden empire s remix for fabio neural is a techno dreamy track with a lead 303 acid bass. aitor ronda returns on the label with a techno proper track ready to burn the dancefloor. on the b side spartaque and astrea bring us to another dimensions with moss and sere di marzo, two tracks full of sounds and melodies.

ossian’s debut solo ep comes out on south london analogue material (s.l.a.m), the label he created with ansome 3 years ago. after a previous joint release on s.l.a.m and a remix on perc trax, we get to see original tracks from ossian for the first time.

sleep-deprived, breakbeat-driven vignettes of unclear authorship, from somewhere west of lake lagoda, near the russia-finland border.sekundenschlaf has significant points of correspondence with contemporary european electronic music, as well as the golden age of (early) jungle and ambient techno. but its response to tradition, and to the zeitgeist, is idiosyncratic to say the least – with an atmosphere and psychogeography rooted in the tranquility and majesty of western russian nature, and the anxiety and distress of the country s post-soviet working class. pastoral calm meets dissonance and unease. the music has a loose, improvised feel, but its arrangements are intricate, its melodies iridescent: cascading arpeggios that stir a sense of optimism and renewal, sighing string-pads that evoke the deepest melancholy. rhythms simultaneously hyped-up and burned-out, collapsing in on themselves as they race to destinations unknown. all bound together with field recordings of eavesdropped conversations, blurred into abstraction, a droning subliminal menace.trust me, you ll be fine

dm002 showcases 5 dance floor cuts from keita sano, lucretio, alter-d, bioroot, and asymmetrical. this ep was inspired by the video games jet set radio and jsrf. some of the soundtracks for jsr and jsrf were produced by the latch brothers (including mike d from the beastie boys), and features tracks from other great musicians such as cibo matto.
the artwork of this release captures the essence of the video game and the ep within. hazy nights out in the capital, neon lights, high rises and 4:00 am eats.

reless return to follow up on there first official release which was entitled cycle, out on world talk records that included a bold yet hazy remix from avant techno engineer shlomo.this time their foot firmly in the the mud, is a solid 4 tracks ep entitled, circuitry merging classic techno components which they say focuses on creating analogically modified melodic organisms. the eponymous title track circuitry brings the listener into a field of near moving stabs synths, pulsing through out the persistent motor rhythm. the follow up seed germinates a melodious and deep sequence to sense growth of emotions into the listeners body. reless stand by their motto of always repeating the essential, which can be heard strikingly through out limitation bringing us toward an end of an endlessly metallic grain storage silo. to conclude, the hotly tipped swedish producer kuf (head of arsenik records) pulls apart the harshly stark limitation exploring a rework focusing on the frustrations and jittering nervous pathways of the listener speaking directly to the frontal lobe his job to reside purely at the edge of our mental limitations.

the slothboogie crew are back for round two, this time they brought their friends anthony fade along to put out the very first slab of sb editz vinyl! they ve got 2 hard hitting but oh so delicious disco house cuts that do serious damage to the floorz (they ve tested). packed full of big warm 909s and the crispiest of hi-hats going. on the flip you ll find an rnb rework that takes us back to the fuzzy dayz of mtv spring break!

ombra international can save you with the fury and lust. bordeaux cold-wave band, bagarre perdue kick things off with cowboy and the psychedelic spaniard, sutja gutierrez closes with a tripped out vocal track. the b-side goes more for the dance floor with french-londonite, mondowski and a post-punk slow wave song ties it all together from st. petersburg russias, seven knives.